![]() ![]() Although physical strength is not his forte, the head of SPECTRE comes across as creepy, menacing, evil, sadistic, cruel, calculating and brilliant. Christoph Waltz does a fantastic job portraying Ernst Stavro Blofeld. The end goal is to, presumably, do bad things with the data? Become Big Brother? It’s not entirely clear, but the fate of the free world seems to be at stake.ĭespite clocking in as the longest Bond movie yet, SPECTRE never leaves the audience checking their watch. Always one to evolve with the times, SPECTRE’s latest scheme is to secretly partner with nine world governments and take over their new massive global surveillance network. Today, the West is more worried about unconstitutional governmental surveillance than global annihilation. ![]() His scheme was simple … and universally terrifying. The Cuban Missile Crisis was causing fear across the Western world all Blofeld had to do was hijack some nuclear weapons and hold them for ransom. What more could you want from a Bond film? A cohesive plot, perhaps. He promptly orders a martini “shaken not stirred,” blows a bunch of stuff up, hops on board a train, kills a physically-superior henchman, discovers the villain’s plot, finds himself facing death, gets away, stops the villain, saves the girl and heads off into the sunset. At every stop, he’s punching, driving, flying, running, snooping, shooting, kissing and fornicating his way into the next clue.Ġ07 seduces valuable information out of a beautiful woman, declares himself Bond, James Bond, follows a new lead and finds his main love interest of the film … who first claims immunity to his charms, before inevitably falling for him later. While many critics have lambasted this as a step backwards, it’s exactly what Bond fans have been hoping for.Īfter an action-packed pre-title sequence and an average theme song, Bond meets with the classic MI6 staff - M, Moneypenny and Q - before setting off for his next exotic destination.įrom Mexico to London, Rome, Austria and Morocco, Bond is constantly on the move. SPECTRE marks the first Craig-era adventure to utilize the classic Bond movie formula. Still, for those who grew up with 007, SPECTRE is sure to evoke a sense of childhood wonder and glee … even if it doesn’t feel like one of Bond’s best missions. Bond’s romantic relationships feel forced, extraneous subplots run wild and the film’s action sequences rarely succeed in building tension. The villain’s character is tragically underused, and his personal connection to 007 ruins his credibility. SPECTRE is also an uneven movie with many flaws. It’s chock-full of exciting action, beautiful women, exotic locations, tongue-in-cheek humor, references to previous movies and a memorable villain. On first viewing, SPECTRE succeeds as a classic Bondian thriller. Iconic villains are assumed, secret lairs are expected and everyone wonders if they will see a certain fluffy white kitty. In the case of SPECTRE, the title alone succeeds in creating an instant state of nostalgia. Most extraordinarily, the Catedral is the single largest place of worship in all of Latin America.For Bond fans, it’s always difficult to separate our excitement for the latest movie from the quality of the film itself. The Catedral took hundreds of years to build (1567 to 1788, to be exact), and it holds a motley blend of styles, including elements of the baroque, neoclassicism, and endemic churrigueresque architecture. You don’t really get a full frame of it during the increasing drama, but there are flickers of it as Bond pursues his villain-even in snapshots, it’s impressive. Directly to the north is the Catedral Metropolitana de la Ciudad de México. You feel, indeed, like you’re on a movie set.Įventually, Bond finds his way to the crux of the square, obviously hot on the trail of danger. With Art Nouveau stained glass vaulted ceilings and an ornamental splendor worthy of its moniker, it transports visitors to a lost era of detail and plushness. This is the Gran Hotel Ciudad de México, just to the southwest of the Zócalo. As Spectre kicks off, Bond-in a skeleton-painted suit, no less-follows a smoldering temptress (Stephanie Sigman of recent Narcos fame) into an ornate elevator and chamber.
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